Big Jay McNeely

His mighty tenor sax squawking and bleating with wild-eyed abandon, Big Jay Mcneely blew up a torrid R&B tornado from every conceivable position -- on his knees, on his back, being wheeled down the street on an auto mechanic's "creeper" like a modern-day pied piper. As one of the titans who made tenor sax the solo instrument of choice during rock's primordial era, Mcneely could peel the paper right off the walls with his sheets of squealing, honking horn riffs.



Cecil Mcneely and his older brother Bob (who blew baritone sax lines with Jay in unison precision on some of Jay's hottest instrumentals) grew up in Los Angeles, where jazz reigned on Watts' bustling nightlife strip. Inspired by Illinois Jacquet and tutored by Jack Mcvea, Mcneely struck up a friendship with Johnny Otis, co-owner of the popular Barrelhouse nitery. Ralph Bass, a friend of Otis, produced Mcneely's debut date for Savoy Records in 1948 (Savoy boss Herman Lubinsky tagged the saxist Big Jay, in his eyes a more commercial name than Cecil). Mcneely's raucous one-note honking on "The Deacon's Hop" gave him and Savoy an R&B chart-topper in 1949, and his follow-up, "Wild Wig," also hit big for the young saxist with the acrobatic stage presence.

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